Yamaha MOX6 Manual descarregar pdf (Página 124)

PERF SONG PATTERN MIX MASTER REMOTE UTILITY

QUICK SET

FILEVOICE

MOX6/MOX8 Reference Manual

Mixing Mode

Mixing Play

[F1] VOL/PAN

[F2] VOICE

[F3] EF SEND

[F4] TEMPLATE

[F5] VCE ED

[F6] EFFECT

Mixing Edit

Common Edit

[F1] GENERAL

[F2] MFX

[F3] MEQ

[F4] USB I/O

[F5] A/D IN

[F6] EFFECT

Part Edit

[F1] VOICE

[F2] OUTPUT

[F3] EQ

[F4] TONE

[F5] RCV SW

Mixing Job

[F1] INIT

[F2] RECALL

[F3] COPY

[F4] BULK

Mixing Voice Edit

Common Edit

[F1] GENERAL

[F2] OUTPUT

[F4] CTL SET

[F5] LFO

[F6] EFFECT

Element Edit

[F1] OSC

[F2] PITCH

[F3] FILTER

[F4] AMP

[F5] LFO

[F6] EQ

Mixing Voice Job

[F2] RECALL

[F3] COPY

[F5] DELETE

Supplementary Information

124

Supplementary Information

 Editing a Performance by using the Knobs

By using the knobs on the front panel, you can adjust various parameters such as pan, effect, cutoff frequency and

resonance for each Part (Track) of the Mixing.

1 Press one of the Knob Function buttons (1 or 2) to

call up the Control Function display.

2 Select the Part you want to edit.

Press a number button corresponding to the Part number.

3 Select the functions assigned to Knobs 1 – 4 or Knobs 5 – 8.

Each time Knob Function 1 button is pressed, the lamp lights alternatively in descending order, [TONE1] | [TONE2]

| [TONE3]. The functions assigned to Knobs 1 – 4 will be switched according to the operation of Knob Function 1

button. Each time Knob Function 2 button is pressed, the lamp lights alternatively in descending order, [EQ] |

[EFFECT] | [ARP]. The functions assigned to Knobs 5 – 8 will be switched according to the operation of Knob

Function 2 button. When each lamp is turned on, the functions assigned to the Knobs are as follows.

When the [TONE 1] lamp is turned on:

When the [TONE 2] lamp is turned on:

When the [TONE 3] lamp is turned on:

When the [EQ] lamp is turned on:

Knob 1 CUTOFF [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F4] TONE  [SF2] FILTER  “Cutoff”

page 118

Knob 2 RESONANCE [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F4] TONE  [SF2] FILTER  “Resonance”

Knob 3 FEG DEPTH [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F4] TONE  [SF2] FILTER  “FEGDepth”

Knob 4 PORTAMENTO [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F1] VOICE  [SF4] PORTA  “Time”

page 118

Knob 1 ATTACK [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F4] TONE  [SF4] AEG  “Attack”

page 119

Knob 2 DECAY [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F4] TONE  [SF4] AEG  “Decay”

Knob 3 SUSTAIN [SONG] or [PATTERN] 

Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F4] TONE  [SF4] AEG  “Sustain”

Knob 4 RELEASE [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F4] TONE  [SF4] AEG  “Release”

Knob 1 VOLUME [SONG]  Song selection  [MIXING]  [EDIT]  Part selection  [F2]

OUTPUT  [SF1] VOL/PAN  “Volume”

page 118

Knob 2 PAN [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F2] OUTPUT  [SF1] VOL/PAN  “Pan”

Knob 3 ASSIGN 1 [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F1] VOICE  [SF6] OTHER  offset value to “Assign 1” function

page 118

Knob 4 ASSIGN 2 [SONG] or [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F1] VOICE  [SF6] OTHER  offset value to “Assign 2” function

Knob 5 LOW [SONG] / [PATTERN]  Song/Pattern selection  [MIXING]

 [EDIT]  Part

selection  [F3] EQ  “LOW GAIN”

page 118

Knob 6 MID F [SONG] / [PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F3] EQ  “MID FREQ”

Knob 7 MID [SONG] /[PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F3] EQ  “MID GAIN”

Knob 8 HIGH [SONG]/[PATTERN]  Song/Pattern selection  [MIXING]  [EDIT]  Part

selection  [F3] EQ  “HIGH GAIN”

1 2 ... 119 120 121 122 123 124 125 126 127 128 129 ... 159 160

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