Yamaha MG 6FX Manual do Utilizador descarregar pdf

MG Series

ISO9001

JQA-1868

MIXING CONSOLE

For details please contact:

LPA478E

Printed in Japan

This document is printed on

chlorine-free (ECF) paper with soy ink.

www.yamaha-mg.com

www.yamahaproaudio.com

www.global.yamaha.com

www.yamaha.co.jp/product/proaudio/homeenglish/navi/index.htm

NEW

MG Series Specifications

Options

MG10/2 MG8/2FX MG12/4 MG12/4FX MG16/4 MG16/6FX

Total Harmonic Distortion Less than 0.1 % (THD+N) 20 Hz – 20 kHz @ +14 dBu (ST OUT)

Frequency Response -3, 0, +1 dB 20 Hz – 20 kHz @ +4 dBu (ST OUT)

Input Hum & Noise

*1 -128 dBu Equivalent Input Noise/-100 dBu Residual Output Noise, 20 Hz – 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input sensitivity=-60 dB

Crosstalk -70 dB @ 1 kHz

Mic 4 (Ch 1 – 2, 3/4, 5/6: XLR) 6 (Ch 1 – 4, 5/6, 7/8: XLR) 10 (Ch 1 – 8, 9/10, 11, 12: XLR)

Line 2 (Ch 1 – 2: TRS:Phone) 4 (Ch 1 – 4: TRS:Phone) 8 (Ch 1 – 8: TRS:Phone)

CH Input

Stereo

2 (Ch 3 – 4, 5 – 6: TRS:Phone) * Ch3, 5: L (MONO)

2 (Ch 5 – 6, 7 – 8: TRS:Phone) * Ch5, 7: L (MONO) 2 (Ch 9 – 10, 11 – 12: TRS:Phone) * Ch9, 11: L (MONO)

2 (Ch 7 – 8, 9 – 10: TRS:Phone/RCA:Pin)

1 (Ch 7 – 8: TRS:Phone/RCA:Pin)

2 (Ch 9 – 10, 11 – 12: TRS:Phone/RCA:Pin) 2 (Ch 9 – 10, 11 – 12: TRS:Phone/RCA:Pin)

Insert I/O

2 (Ch 1 – 2: TRS:Phone = T: Out, R: In, S: Gnd) 4 (Ch 1 – 4: TRS:Phone = T: Out, R: In, S: Gnd) 8 (Ch 1 – 8: TRS:Phone = T: Out, R: In, S: Gnd)

AUX

Send 2 (1/Pre, 2/Post: TRS:Phone) 1 (Effect / AUX) 2 (1/Post-Pre selectable, 2/Post: TRS:Phone) 1 (Post-Pre selectable: TRS:Phone) 2 (1/Post-Pre selectable, 2/Post: TRS:Phone) 2 (1/Pre, 2/Post-Pre selectable: TRS:Phone)

Return 1 Stereo (L/MONO, R: TRS:Phone)

EFFECT Send — (Same as AUX Send) — 1 (TRS:Phone) — 1 (TRS:Phone)

2TR In 1 Stereo (L, R: RCA:Pin)

REC Out 1 Stereo (L, R: RCA:Pin)

ST Out 1 Stereo (L, R: TRS:Phone) 2 Stereo (L, R: 2 TRS:Phone & 2 XLR)

C/R Out 1 Stereo (L, R: TRS:Phone)

GROUP Out — 2 (1, 2: TRS:Phone) 4 (1 – 4: TRS:Phone)

Phones 1 (TRS:Phone Stereo)

Phantom Power + 48 V

CH & ST Ch Input Gain Control 44 dB valiable

CH & ST High Pass Filter 80 Hz 12 dB/Octave

CH EQ (MONO)

High 10 kHz (Shelving)

±15 dB (Max.)

Mid 2.5 kHz (Peaking) 0.25 – 5 kHz (Peaking)

Low 100 Hz (Shelving)

High 10 kHz (Shelving)

CH EQ (STEREO)

Hi-Mid — 3 kHz (Peaking)

±15 dB (Max.)

Mid 2.5 kHz (Peaking) —

Low-Mid — 800 Hz (Peaking)

Low 100 Hz (Shelving)

Graphic Equalizer —

7-band (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz) ±12 dB (Max.)

Internal Digital Effect — 16 Programs: Parameter Control — 16 Programs: Parameter Control — 16 Programs: Parameter Control

Height 65 mm 108 mm

Dimensions Depth 290.5 mm 416.6 mm

Width 251 mm 322 mm 423 mm

Weight 1.8 kg 5.0 kg 5.2 kg 5.5 kg

19 W 120 V/60 Hz

20 W 120 V/60 Hz 29 W 120 V/60 Hz 30 W 120 V/60 Hz 36 W 120 V/60 Hz 51 W 120 V/60 Hz

19 W 220 V/50, 60 Hz

20 W 220 V/50, 60 Hz 29 W 220 V/50, 60 Hz 30 W 220 V/50, 60 Hz 36 W 220 V/50, 60 Hz 51 W 220 V/50, 60 Hz

Power Requirements

19 W 230 V/50 Hz

20 W 230 V/50 Hz 29 W 230 V/50 Hz 30 W 230 V/50 Hz 36 W 230 V/50 Hz 51 W 230 V/50 Hz

19 W 240 V/50Hz

20 W 240 V/50 Hz 29 W 240 V/50 Hz 30 W 240 V/50Hz 36 W 240 V/50 Hz 51 W 240 V/50 Hz

Other

Mic Stand Mountable

Foot Switch Jack (ON/OFF)

Rack Mountable

Foot Switch Jack (ON/OFF)

Rack Mountable

Mic Stand Mountable Rack Mountable

Option

Mic Stand Adapter BMS-10A

—

Foot Switch FC5

—

Foot Switch FC5

MG24/14FX MG32/14FX

Total Harmonic Distortion

Less than 0.1 % (THD+N)

20 Hz – 20 kHz @ +14 dBu (ST OUT)

Frequency Response

0 +1, -3 dB

20 Hz – 20 kHz @ +4 dBu (ST OUT)

Input Hum & Noise

-128 dBu Equivalent Input Noise/-99 dBu Residual Output Noise

20 Hz – 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB

Crosstalk -70dB @ 1kHz

Mic 16+1 (Input A 1 – 16, Talk Back: XLR) 24+1 (Input A 1 – 24, Talk Back: XLR)

Line 16 (Input B 1 – 16: TRS:Phone) 24 (Input B 1 – 24: TRS:Phone)

CH Input

Stereo

2 (Ch 17 – 18, 19 – 20:TRS) * Ch17, 19:L (MONO) 2 (Ch 25 – 26, 27 – 28:TRS) * Ch25, 27:L (MONO)

2 (Ch 21 – 22, 23 – 24: TRS:Phone/RCA:Pin) 2 (Ch 29 – 30, 31 – 32: TRS:Phone/RCA:Pin)

Insert I/O 16 (Ch 1 – 16: TRS:Phone T: Out, R: In, S: Gnd) 24 (Ch 1 – 24: TRS:Phone T: Out, R: In, S: Gnd)

AUX

Send 6 (1 – 2/Post-Pre selectable, 3 – 4/Post-Pre selectable, 5 – 6/Post: TRS:Phone)

Return 2 Stereo Sub In (L/MONO, R: TRS:Phone)

EFFECT Send 2 (1, 2: TRS:Phone)

2TR In 1 Stereo (L, R: RCA:Pin)

STEREO Insert 1 Stereo (L, R: TRS:Phone)

GROUP Insert 4 (1 – 4: TRS:Phone)

REC Out 1 Stereo (L, R: RCA:Pin)

ST Out 1 Stereo (L, R: XLR)

MONO Out 1 (XLR)

ST SUB Out 1 Stereo (L, R: TRS:Phone)

GROUP Out 4 (1 – 4: TRS:Phone)

Phones 1 (TRS:Phone Stereo)

Phantom Power + 48 V

CH & ST Ch Input Gain Control 44 dB valiable

CH & ST High Pass Filter 80 Hz 12 dB/Octave

CH EQ (MONO)

High 10 kHz (Shelving)

±15 dB (Max.)

Mid 0.25-5 kHz (Peaking)

Low 100 Hz (Shelving)

High 10 kHz (Shelving)

CH EQ (STEREO)

Hi-Mid 3 kHz (Peaking)

±15 dB (Max.) Low-Mid 800 Hz (Peaking)

Low 100 Hz (Shelving)

MONO Out Low Pass Filter 80 – 120 Hz 12dB/octave

Internal Digital Effect SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)

Height 140 mm 140 mm

Dimensions Depth 551 mm 551 mm

Width 819 mm 1027 mm

Weight 18.5 kg 22 kg

Power Requirements

100 W 120 V/60 Hz 120 W 120 V/60 Hz

100 W 220 V/50 Hz 120 W 220 V/50 Hz

100 W 230 V/50 Hz 120 W 230 V/50 Hz

*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation.

*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.

*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation.

*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.

*3 (CH,12): MG10/2, (CH1-4): MG12/4, (CH1-8): MG16/4, MG16/6FX.

*4 Power Supply Adaptor PA-10 (MG10/2,MG8/2FX), PA-20 (MG12/4,MG16/4,MG12/4FX), PA-30 (MG16/6FX).

FC-5 Foot Switch

for MG8/2FX, MG12/4FX

BMS10-A

for MG10/2, MG8/2FX

1 2 3 4 5 6 7 8

Resumo do Conteúdo

Página 1 - MG Series

MG SeriesISO9001JQA-1868MIXING CONSOLEFor details please contact:LPA478EPrinted in JapanThis document is printed on chlorine-free (ECF) paper with soy

Página 2 - Eight Superlative Mixers

MICDrumsGuitar etc.Synthesizer etc.PLG 2ABCDEFGH15CATEGORYSEARCHOCTAVEDOWNUPKNOBCONTROLFUNCTIONPANREVERBCHORUSTEMPOATTACK RELEASECUTOFFRESONANCEASSIGN

Página 3 - MIXING CONSOLE

Just the Basics … With ClassIf you simply need to mix a few sources to stereo – but insist on the finest audio quality available – the MG10/2 or MG8/2

Página 4

Extensive Creative Control In the Studio Or On StageThe mid-range MG models go beyond the basics to give you extensive control for a wide range of app

Página 5

All The Effect Processing You Need Built InIf the idea of having some of the finest effects available built right into the console appeals to you, the

Página 6

Serious Capacity For Sound Reinforcement & InstallationsIf your application is live sound reinforcement you’ll want all the channel capacity you c

Página 7 - MG Series Specifications

Connection Actual Source For Use With Output Level *1 Connector In Mixer Impedance Nominal Nominal Max. before ClipST OUT [L, R] 150 Ω 10 kΩ L

Página 8 - CH5(L)/6(R)•CH7(L)/8(R)

CH9(L)/10(R)•CH11(L)/12(R)CH5/6•CH7/8CH5(L)/6(R)•CH7(L)/8(R)R33